Tea – Çay
At 10 am each day (on site and in the laboratories), we have a morning tea or “çay” break. Müslüme and Ayşe prepare wonderful breads (sweet cakes, often with a touch of lemon or cinnamon) or savory treats. Today we had a light pastry (börek) filled with a crumble of cheese, parsley, red and green peppers, and a touch of olive oil.
Each season the team takes a well-deserved 3-day break – a chance to get away, relax, and rejuvenate before the second half of the season. The break this year was at the beginning of last week. Destinations included Çandarlı and Bodrum (and their nearby beaches and fabulous calamari), and visits to Priene, Didyma, Miletus, and İstanbul (a short flight from İzmir). Here Tim Frank shares some of his sketches from nearby locations.
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Sketches of the Terrace Houses and the Bouleuterion at Ephesos
4th of July in a Temple of Artemis
One of the closest tourist locations to us is the ancient site of Sardis. It has become a tradition to celebrate the 4th of July with our old friends and colleagues there. Nick Cahill, director of the Archaeological Exploration of Sardis, gave our crew a terrific tour of the excavation areas, followed by a cocktail party, dinner, and a moonlight night in the Temple of Artemis.
The Ceramics Lab
Tunç Kaner and Mert Külekçioğlu
This week we worked with excavated and washed ceramics, organizing them by form, color, material, and size, tagging and photographing them. We then made 3D models of ceramics displaying diagnostic features by scanning them with a NextEngine laser scanner. We then trimmed and organized the 3D models. Furthermore, we entered into the database the counts, color, and weights of the other ceramics we photographed. This is what we generally do in the ceramics lab. Both of us think that working here has been a very educational experience and also a lot of fun!
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Now well into our fifth week, the excavation areas are getting deeper, the workload ever increasing, and the Turkish-English barriers slowly melting. As an excavation area supervisor, I have been busy in the field and the lab processing finds, recording and directing the excavation of my area, attempting to interpret the uncovered material, and sometimes even picking up a trowel myself (!). To help with all of this, members of the project who work primarily on pottery, bones, and botanical remains rotate through the field twice a week to bring fresh perspectives to the excavated material. While I get help from these members on a rotating basis, I share the workload with members of local communities every day, who kindly put up with my çok kötü (very bad) Turkish and bring me delicious homegrown fruit!
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The use of photos in archaeology is more than 100 years old. Most archaeologists combine photography and traditional drafting methods to record and interpret architecture, artifacts, and soil deposits uncovered while excavating. This includes both formal (publication quality photography) and less formal photography. The latter, less formal or candid photographs have been used to record the excavation process, creating a visual record of that which is destroyed in the process of extraction (while many archaeologists quip that “excavation is destruction”, our project director likes to say that “excavation is digitization”). Both kinds of photography continue to be used at Kaymakçı.
From the first day, however, excavations at Kaymakçı have also extended the use of photography to include the production of 3D models. These are made from composites or mosaics of photos rendered in 3 dimensions and oriented to a GPS-surveyed grid. These computer models display soil layers, artifacts and architectural features with a high degree of precision. The models record the processes and decision making of excavation accurately and allow the viewer to move back and forth in virtual excavation time and space in order to better understand the relationship between soil layers, walls, floors, etc.
Has all of this use of new technology and the use of new programs gone smoothly over the last few weeks, without a hitch? Absolutely not. There have been hitches! Have workflow and results gotten better with each day? Of course! The procedures are becoming commonplace and the glitches ironed out as they spring up.
As we have learned in the last few weeks, there is an art to doing science. As seen in the photos below, there is definitely a choreography to the photography. With luck, photography as science and the art it produces will enhance our presentation of archaeology to an increasingly visually oriented public.
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